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"I am interested in the complimentary
use of two materials that are greatly distanced in their workability
and traditionally are not often worked together - porcelain and
silver. These are two of the finest materials available to the crafts
person and both enhance each other's features. Both of these materials
have a preciousness that makes them sensuous to work with and to
look at. I am keen to envelop one with the other, often working
with the materials in a contextual manner, which allows my design
process to flow through the body of work, yet allow both materials
their own dominance within the composition."
Specialising in porcelain and glass mediums since 1980, Sandra
has completed the Master of Design (Honours) at the University of
New South Wales, College of Fine Arts, where she was researching
aspects of object signification within the domestic environment.
In 2000 she completed a Bachelor of Applied Arts with First Class
Honours from UNSW, COFA. Several important influences resulting
from these studies have become central to her studio work today.
These influences have manifested not only within the body of work,
but also within the philosophical approach she has taken to achieve
the results. Through her studio practice Sandra instills into her
objects the same level of craftsmanship that can be seen in decorative
art pieces of the past. Using many of the same materials, but designing
and working with them in a contemporary context, she strives to
produce objects that impart to the viewer the inspirations that
have come to her from her investigations.
Sandra's work has been featured in national
and international publications such as Craft Arts International,
Ceramic Art and Perception, Object Magazine, Pottery in Australia
and The Australian Porcelain Art Decorator. Her three books,
Textures and Techniques for Porcelain and Ceramics (1991),
Creative Effects for Porcelain and Ceramics (1994) and Decorative
Options for Porcelain, Ceramics and Pottery (1997) are seminal
references for those wishing to work with over-glaze textures and
design. Recent exhibitions that have featured her work include Ritual
of Tea (The Jam Factory, Adelaide, 2002, Object Galleries, Sydney
2003), Contemporary Wearables 01 (Toowoomba Regional Gallery,
Toowoomba, and traveling exhibition, 2001-2002), New Design 2000
(Object Galleries, Sydney, 2000) and International Lace for Fashion
Award and Exhibition 2001 (Powerhouse Museum, Sydney, 2001). |
In 1988 the Powerhouse Museum obtained a piece of Sandra's
work for their collection. The chosen piece, Abstract Waratah
Vase, was selected from over 100 entries in a competition
"Porcelain for the Powerhouse" held on 17th August, 1988,
by Christopher Thompson who was the Curator of Ceramics and
Glass at that time. He commented about the chosen piece.
"The winning entry in the competition was
selected on a number of criteria. It stood out from the other
entries by its disciplined use of floral decoration, both
in terms of design and colour values. Additionally it demonstrated
a well-thought-out relationship between the design and the
form of the blank. Also satisfying the fact that it was painted
on a blank of Australian origin which showed a more satisfying
appearanceā¦ Not least, it was a most appropriate design for
a museum which, 1915, published R T Baker's splendid work
Australian flora in the applied arts; the waratah."
Curriculum
Vitae | My
Inspirations |
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